Rock around the clock: a song from every hour of the day

Earlier this year, when Girlpool and Hop Along were both in my main rotation, I couldn’t help but notice “Before the World Was Big” starts at 7:45 a.m., while “The Knock” starts at 8:45 a.m.

I wondered if I could track down a song from every hour of the day, and I succeeded. Stumbling across The Human Clock’s list of songs was a huge boon to this arbitrary and wildly unnecessary project, but  a few of my songs are not on the list, and a few of my choices are creative interpretations.

When possible, I tried to eschew obvious picks and select quality tracks.

Midnight: “Midnight City” by M83

The breakout song from the outstanding Hurry Up, We’re Dreaming is my choice from a cluttered field of songs referencing midnight.

  • 1 a.m. “In the Midnight Hour” by Wilson Pickett

“Wicked” Wilson Pickett is not a punctual man. Sure, he says he’ll come for you in the midnight hour, but I’d be floored if he meant any earlier than 1:15 a.m.

  • 2 a.m. “Gin and Juice” by Snoop Doggy Dogg

There are several times mentioned during this recount of a raucous party, notably 6 in the mornin’, but at 2 a.m., the party’s still jumping, and a bizarre number of good songs reference 6 a,m,

  • 3 a.m. “SpottieOttieDopaliscious” by Outkast

This Outkast classic takes a laid-back approach to recounting a connection made during a wild night. It’s about 3 in the morning when three knife fight combatants are taken to the hospital.

  • 4 a.m. “This Is How You Spell ‘HAHAHA, We Destroyed The Hopes And Dreams Of A Generation Of Faux-Romantics'” by Los Campesinos!

This song with a cumbersome title is off of Los Campesinos! wonderful debut album, Hold On Now, Youngster. It rules, and during the course of the song, an alarm clock is set for 4 a.m. the next morning. Apparently, Gareth Campesinos! does not omit redundancies.

  • 5 a.m. “She’s Leaving Home” by The Beatles

At 5 a.m., on a Wednesday, the day is just beginning, and the song’s protagonist is just beginning to slink away from her home.

  • 6 a.m. “911” by Delta Spirit

This song, which tracks post-9-11 fallout begins with the speaker upset to be waking at 6 a.m.

  • 7 a.m. “Before the World Was Big” by Girlpool

7:45, the song’s speaker leaves her house attempting to ignore the irrefutable passage of time.

  • 8 a.m. “The Knock” by Hop Along

The knock, which sets the opening track from this year’s amazing Painted Shut into motion comes at 8:45 a.m.

  • 9 a.m. “Elevator Operator” by Courtney Barnett

Oliver Paul wakes up at 9:15 a.m., then dramatically decides to skip work. Whose office job starts later than 9:15 a.m? Of course, Oliver enjoys a Vegemite breakfast, so obviously there’s a cultural barrier here, but it’s perplexing.

  • 10 a.m. “10 a.m. Automatic” by The Black Keys

This one’s pretty self-explanatory. It’s also a pretty good garage-blues number.

  • 11 a.m. “11:11” by Rufus Waingwright

Rufus wakes up at the titular time unable to differentiate between Heaven and Portland. Angels don’t wear flannel, so it seems easy enough to sort out.

  • Noon. “Boyz-N-The-Hood” by Eazy-E

Eazy wakes up late, at approximately noon, he is hit with the realization he must make haste to Compton. This is one of the most famous openings in rap history.

  • 1 p.m. “One p.m. Again” by Yo La Tengo

I tried to stay away from songs that just contain times in the title, but the mid-afternoon times were pretty barren.

  • 2 p.m. “2:35 p.m.” by Spaceman 3

YLT and Spaceman 3 are both seminal independent rock bands, and they both adore the middle of the day.

  •  3 p.m. “Bigger Boys and Stolen Sweethearts” by Arctic Monkeys

A bigger, intimidating boy picks up the object of our protagonist’s affection at 3:20 in this early Arctic Monkeys standout.

  • 4 p.m. “Babies” by Pulp

It seems like generally speaking, British rockers feel more compelled to slip a time reference into their lyrics. It’s around 4 p.m. when the singer–hiding in a wardrobe– spies his crush’s sister doing unsavory things.

  • 5 p.m. “A Well Respected Man” by The Kinks

The well respected man gets home at 5:30 p.m., everyday, because he has a predilection for catching the same train. Punctuality is a defining characteristic of this repressed individual.

  • 6 p.m. “It’s the End of the World As We Know It”

Famously, these lyrics are incomprehensible, but 6 p.m. is given a quick shoutout right before the, “slash and burn, return, listen to yourself churn,” bit.

  • 7 p.m. “The Wreck of the Edmund Fitzgerald” by Gordon Lightfoot

In this delightful retelling of a nautical disaster, a main hatchway caves in, and death is accepted as imminent.

  • 8 p.m. “Justify my Thug” by Jay-Z

I WILL ALWAYS HYPHENATE JAY-Z. With that out of the way, Hov does a time run down inspired by “Rock Around the Clock” in this song. It was tough to find an 8 p.m. song.

  • 9 p.m. “Girl on T.V.” By LFO

These ’90s boy band also-rans recorded a song about meeting a television star and immediately falling in love. Is 9 p.m. forcefully rhymed with again? Youtube this and find out, The Lyte Funkie Ones do not disappoint.

  • 10 p.m. “The Clock Strikes 10” by Cheap Trick

This hugely influential power pop outfit from Rockford, Ill., managed implement the harmony a grandfather clock makes at the top of an hour into a song, and it’s actually pretty awesome.

  • 11 p.m. “Give Me Scabies” by Kitty Pryde

This song riffs on the inescapable “Call Me Maybe”, and is an early standout from the artist, who now bills herself as Kitty–one of my guiltiest pleasures. Honestly, I think I could more easily reconcile with a love of thrill-killing than fully accept how much I enjoy Kitty’s music. Anyway, it’s 11:11 p.m. when Kitty unlocks her Droid.

I cobbled together a playlist of as many of the songs as I could find on Spotify. Enjoy.

The men with U.N.C.L.E.’s

2015 has been a particularly fertile year for solid rap releases. A$AP Rocky Beyoncé-ed us with a surprise album; Action Bronson put out a strong, ’80s-inspired effort; Towkio put out an uneven mixtape with some summer fun, Earl Sweatshirt got even more bleak and minimal and somehow better; Tyler, the Creator is doing Tyler, the Creator things to diminishing returns; and Kendrick Lemar fused Flying Lotus-esque acid-jazz-rap with Del tha Funkee Homosapien approved G-funk.

With the bevy of new tunes to listen to, I’ve also been listening to more old school rap, because modern hip-hop is steeped in homage. While revisiting some classics, I was struck by how frequently random family members, specifically uncles,  received shout outs.

Obviously, a listicle was in order. With apologies to Uncle Murda, here is a ranking of my favorite hip-hop uncles.

3. Uncle Ray as mentioned by Jay-Z in “Pray”, “Big Chips” and “Moment of Clarity”

Jay-Z name checks his deceased uncle in several songs and mentions the impact of his death in the book, Decoded. In Decoded, Jay-Z identifies his uncle’s death as the catalyst for young Shawn Carter’s abandonment and subsequent drug dealing. Uncle Ray’s death is never mentioned in a positive light, and is actually pretty depressing, because his killer was never caught. Pretty easy to slot the upsetting cold case in at No. 3. Moving on.

2. Uncle Charles as mentioned by Bone Thugs-N-Harmony

The lamentation, “I miss my Uncle Charles ya’ll,” is probably the most famous part of Bone Thugs-N-Harmony’s most famous song. It’s an absolute coup that ultimately, the man who inspired this list will not top the list. Apparently, Uncle Charles was absolutely a real person, and he was a driving force behind young Bone Thugs. The upsetting nature of his absence ultimately cost Charles some points, because I was hellbent on ending this list somewhat happily.

1. Uncle Darnell as mentioned by Big Boi in “ATLiens”

After two tragic, uncle-related entries, I’m ending on a lighthearted note. The absolutely random shout out to Uncle Darnell delivered by Big Boi is one of my favorite moments in Hip-Hop. Seemingly delivered solely to provide a rhyming word for listen Big Boi says, “Giving a shout out to my Uncle Darnell locked up in prison,” roughly a minute into Outkast’s seond album’s title track. As is most of ATLiens’ content,  it comes out of left field while being simultaneously perfect. The best part is, Uncle Darnell is out of prison and tours with Big Boi. Uncle Darnell also feels passionately about Rev. Martin Luther King Jr.’s contributions to society.

Uncle Darnell is the best. Ya feel me?