My favorite songs of 2013

This list comes with the obvious caveat that these are my favorite songs of the year and not necessarily the 10 best songs of the year.

I spent entirely too much time listening to the Flying Burrito Brothers this year and not enough time listening to Sky Ferreirra to be a good barometer of taste.

Still below are the 10 tracks I couldn’t get enough of this year. They are in no particular order.

1. HAIM-“Don’t Save Me”

Hercules is the demi-god with the strength of 10 ordinary men, and HAIM is mom-rock with the strength of 3 Stevie Nickses. Just one of several earthy, hooky jams from this year’s thoroughly praised “Days Are Gone”.

2. Ex Cops- “Separator”

The most accurate approximation of ’90s shoe gaze outside of “m b v”. A pleasantly throbbing bass line, a healthy coat of reverb varnish and a build to a triumphant jangle crescendo kept this song firmly entrenched in my head all year long.

3. Black Joe Lewis- “Skulldiggin”

This crunchy slice of blooze rock would be the hardest The Black Keys have rocked in a couple of albums. In a year when indie-pop and Yeezus reigned supreme this unapologetic throwback was a counter-intuitive breath of fresh air.

4. CHVRCHES- “Gun”

Chvrches were the Scottish-indie-synth-pop triumph of the year.  “Gun” is my favorite song off of the excellent “The Bones of What You Believe”. After hearing this song, running away with everything you own probably won’t keep it out of your head.

5. King Khan & the Shrines- “Pray for Lil”

“Idle No More” is an exceptional garage rock album from King Khan & the Shrines. Its standout track is the “Little Wing” and Dusty Springfield indebted “Pray for Lil”.

6. Charli XCX- “Take My Hand”

“Take My Hand” is equal parts energetic, addictive and sweet. It’s audible cocaine cut with pixie sticks. It’s the biggest ear worm on, “True Romance” , an album with so many pop gems even its bonus tracks bump.

7. Los Campesinos!- “Avocado Baby”

I am an unabashedly huge LC! fan, and this is maybe the perfect culmination of the different musical directions the band has pursued. Gareth yelping his sardonic lyrics, twee backing vocals, a muscular rhythm section and a fruit-based metaphor no other band would attempt all make this an instant classic in the LC! catalog.

8. Chance the Rapper- “Juice”

“Acid Rap” is one of my favorite albums of the year, and this track epitomizes what Chano was up to on his excellent mix tape. It has a ragtime sample, Tupac references, plenty of vocal ad libs and some great double-time rapping.

9.  Kanye West- “I Am a God”

“Yeezus” was an intense car-bomb of an album, and no song on it was as incendiary as “I Am a God”. West’s palpable anger is somehow on display next to moments of genuine humor in one iconoclastic statement. Hurry up with his damn croissants!

10. Disclosure- “F for You”

I’ve been infected with the restless urge to listen to this song on repeat. A great, slinky piece of house music.

Honorable Mentions: Get Lucky, Reflektor, Pepe Lopez, Demon Dance, My Number, Rattlesnake

Chance the Rapper- “Acid Rap”

Chance the Rapper is an artist barely out of his adolescence from Chicago. He famously started recording music during suspension from high school. He sounds like a combination of Kanye West’s barely-outsider perspective, Kendrick Lamar’s elastic flow and observation and Lil Wayne’s bravado and vocal ticks. Gospel, jazz, soul,reggae, golden age hip-hop, scat and more conventional drum machine beats all appear on this album to create a sound that instantly comes across as familiar and infectious.

Despite all of the audible influential artists and genres Chance the Rapper’s new mix tape “Acid Rap” is some of the most schizophrenically original music released this year. A few things immediately come across when listening to this mixtape. The first is that Chance is an incredibly self-aware rapper. He raps about generational divide and the harsh realities of living in Chicago’s South Side as naturally as he cuts a party track. The second is that Chance the Rapper is totally unafraid to leave the beaten path. He’ll attempt to croon in his warbling, cracking voice before launching into a double timed barrage of word play. The last thing that quickly becomes evident about Chance is that he loves his drugs. Ecstasy, acid, cigarettes, codeine, marijuana and Hennessy all get shout outs on this album, but the album never falls into the trap of being something as simple as a drug album.

Although Chance gives a shout out to another rapping Chicago wunderkind on this mix tape everything is sonically and topically broader than anything the drill scene could possibly produce. Also, although plenty of other Chicago-area artists appear on this album, notably BJ the Chicago Kid and Twista, the guest list also includes Childish Gambino, Ab-Soul and Action Bronson. The end result of the various unorthodox mixtures is an original, ambitious effort that effectively evokes introspection and humor.