Boomiversal appeal: The new Big Boi is pretty darn dope if you ask me.

Big Boi was the dependably solid half of Outkast, while his musical partner was the mad scientist that gave their impeccable discography a delightfully odd bent.

Antwan Andrè Patton was the street smart ATLien with an elastic flow that kept the seminal duo grounded in the world of rap while Andre 3000 got progressively weirder, sang more and started play guitar.

Then, Three Stacks went to do a little acting, and Sir Lucious Left Foot started pumping out solo albums, and should’ve always been clear became obvious — Big Boi is a profoundly weird dude in the tradition of George Clinton’s funk mythology.

This worked out to brilliant effect in Big Boi’s long-gestating solo debut, but yielded uneven results on Vicious Lies and Dangerous Rumors , which was in part hampered  by being a super bloated album.

Go back and listen, there were definitely some good ideas scattered around that album.

Big Boi’s newest offering, Boomiverse, has a hit ratio much more in line with Sir Lucious Left Foot: The Son of Chico Dusty, and is frequently a bizarre delight, even if its not quite that album’s equal.

Big Boi is as nimble on the mic as ever, his guest list features Southern rap royalty like Killer Mike, Scar, Pimp C, Curren$y and an expertly deployed Gucci Mane, and there are some truly awesome tracks.

“In the South” is an absolute essential if you’re a fan of a certain type of  Dirty South rap. Gucci Mane raps the way a cat stretches over an icy beat with a hook scoffed by Pimp C. It’s perfect and highlights everything a Big Boi track could possibly do well.

But once again Big Boi is slightly undercut by his dedication to experimentation and willingness to throw things at the wall, which while admirable can sort of derail things.

It means some clunker ideas (Adam Levine feature) co-mingling with awesome ideas  (A Big Rube narration over dramatically swelling strings) on Boomiverse.

It also means more dabbling in electronic sounds, which is sometimes fun, but just doesn’t sound as exciting as the warm, analogue-sounding noise on a track like “All Night”, which mines the same dixieland vein as the criminally underrated Speakerboxxx deepcut, “Bowtie”.

Big Boi managing to drawl and double-time over the same piano beat is one of  this world’s purest joys. “All Night” grabs you by the ear and demands to be on every cookout playlist you make this summer.

But the next six tracks never really hit that high again. There’s some interesting textures, a good bit of introspection and quality rapping, but “All Night” and “In the South” are the two best songs, and they’re on the same half of Boomiverse, which also happens to be the half of the album with “Kill Jill” which is the elevated to the position of best weird song by some inspired huffing and puffing by the big bad Killer Mike.

One Side 2, “Overthought” is a worthwhile if unspectacular meditation on how anxiety is habit-forming and Snoop see whose verse can sound the most like auditory butter, which is pretty damn fun.

This is a good album with flashes of greatness, and songs as good  or odd as “Kill Jill” and “In the South” are worth enduring a thousand less-than-wonderful crossover attempts like “Mic Jack”.

 

 

I’ll be doggoned: Songs about dogs

Lately, I’ve been playing with puppies for hours then leaving the pet store empty-handed because there hasn’t been enough heartbreak or emotional blue balling in my life.

Well, that, and I’m a big believer in rescuing, and I’m just trying to get a good feel for what sort of dogs would make sense for me.

So, given that canines are on my mind, I thought I’d put together a quick list of dog-related songs that get the Bloggenstatt stamp of approval.

  • Sun Kil Moon – “Dogs”

OK, so technically, this song is more about dealing with burgeoning sexuality coupled with the toxic role masculinity plays in the lives of young men, but it’s called dogs. And it’s on an album called Benji. Which is also the name of a movie starring a dog … in addition to being the name of Mark Kozelek’s dead friend.

  • The Beatles “Martha My Dear”

Once again really stretching my premise and spurning low-hanging fruit. Martha was the name of Paul McCartney’s sheep dog. He’s stated the song’s relation to the dog ends there, but I’m counting it.

  • Frankie Cosmos – “Sad 2”

Finally, a song that is unabashedly about a dog. A dead dog. OK, this is a song about the utter languish of putting a pet down. I thought this would be a happier list. The seesaw melody of this song is delightful to warble along too even if it’s a big, ole downer. Try it. “I’m juuuust a normal girl, but my name is FraaaAAAAaaaAaank” is a wonderful thing to say in a Muppet voice.

  • The Stooges – “I Wanna Be Your Dog”

Because there are bells on this proto-punk classic, it counts as a Christmas carol. Because Iggy Pop mostly sings about being, “So messed up,” and wanting to be someone’s dog it’s the best Christmas carol.

  • The Sonics – “Walking the Dog”

Pacific Northwest garage-rock legends included a super scuzzy take on Rufus Thomas’ song on their classic album Here are The Sonics. This one even includes dog whistles. One of my least tenuous picks.

  • Wanda Jackson – “Rockabilly Hound Dog”

This tweaks Elvis’ much more famous Hound Dog sound and mostly just extols the virtues of Rockabilly music. It’s extraordinarily silly, but Wanda Jackson doing a full-throated growl backed by a saxophone is always worth a listen. It definitely alludes to an extremely literal dog.

  • David Bowie – “Diamond Dogs”

This is really a song about  feral mutants from the future, but it has one of the coolest intros ever, “This ain’t rock’n’roll, it’s genocide!” and it’s Bowie grooving to some serious cowbell.

  • Florence + the Machine – “The Dog Days Are Over”

This is a super pleasant song I had the privilege of hearing a lot when I worked retail. Like a lot. For years this song was part of the corporate mixed CD we had to play while folding polos and selling cargo shorts to suburban dads. Years later, I don’t hate it, so I have to assume it’s a rock-solid song.

I’ll probably never have a reason to write about Florence Welch on this website again, so I’m going to air this unpopular opinion: Between her and Adele, Flo is the better British song-belter. It’s always bugged me. I feel like in a world in which Adele didn’t exist, people who say things like, “She’s really got pipes” before looking around for nodded approval while listening to Top 40 radio would have glommed on to Flo.

I feel bad for her, and now her song is on my dog playlist, so I’m really doing my best.

  • Surfer Blood – “Demon Dance”

These guys were one of my favorite guitar-heroic indie rock bands of the late ’00s. I even stuck around to hear their second album despite some disturbing allegations. This is track-one side-one for that album. Like pretty much all of Pythons it’s slick, enjoyable guitar-pop. It references the, “the hounds of hell” so I included it.

In the ensuing years since their sophomore album, Surfer Blood have put out a lot of pretty OK music. Their first album, Astro Coast is deservedly the most lauded release in their catalog, but I really think Pythons is overlooked despite containing some of the hookiest, crunchiest pop-rock of the past decade.

For more information on Surfer Blood, check your local library.

  • Weezer – Undone (The Sweater Song)

Not at all about dogs. Not even one bit about them. But the music video features so many dogs. Worth noting: The video was directed by Spike Jonze, who would go on to make some tremendous movies and has a dog’s name.

I feel good about this pick.